Getting ready for our Ultra Panavision 70 run of SINNERS, which starts tomorrow! We had the team at Boston Light & Sound switch the lenses of the projectors to anamorphic (superrrr wide)! Thank you, Thomas, for giving us the rundown! Check back to see us test the reels of film. Get your tickets for SINNERS in 70mm now! 🔗 coolidge.org/films/sinners-70mm | Coolidge Corner Theatre

Quentin Tarantino revived the Ultra Panavision 70 format for The Hateful Eight, becoming the first filmmaker to use this ultra-wide 2.76:1 aspect ratio format since 1966’s Khartoum—a nearly 50-year gap. The production required refurbishing vintage anamorphic lenses and shooting on 65mm film stock, making it only the 11th film ever shot in this exceptionally rare format that was originally used for epic films like Ben-Hur ! 🎬 The Hateful Eight | Cinema Shows

Quentin Tarantino on 70mm film and how the movie theater experience has changed in the last 30 years 🎞️🍿 (via Jimmy Kimmel Live)#QuentinTarantino #70mm #IMAX #JimmyKimmel #Movies #Film | Screen Off Script

Watch Samuel L. Jackson, Quentin Tarantino, and more from The Hateful Eight talk about what makes Ultra Panavision 70mm so glorious. | The Hateful Eight