In The Decameron, part of a trilogy of classic epics by Pasolini, the visionary filmmaker imagines a pre-modern world where personal freedom, sensuality, and eroticism are central to human experience, ...

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical ...