For its first-ever production of Handel’s sparkling, irresistibly tuneful “Semele,” Seattle Opera has pulled out all the stops. Aware that this is only the third work by Handel to grace the company’s ...

The style that guides the creepiness, with an ominous fireplace central in Annemarie Woods’ pointedly chilly, unpretty designs, isn’t always there in the singing (Woods, incidentally, also designed ...