First it was Top Gun: Maverick. Now it’s F1. At this point, director Joseph Kosinski’s editing room is starting to look less like a creative workspace and more like a trapdoor for people of color.
STATEN ISLAND, N.Y. — If there’s one visual landmark that’s been a constant presence in my life, it’s the Verrazzano Bridge. From crossing it twice a day on the express bus while attending high school ...
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