The Milwaukee Art Museum PresentsColor Rush: 75 Years of Color Photography in AmericaFebruary 22nd – May 19thMilwaukee Art MuseumColor Rush: 75 Years of Color Photography in America captures the ...

There was a time when color photography wasn’t taken seriously. In the 1960s and 1970s, it was considered amateurish, good for holiday snaps and advertisements at best. It had no place in the art ...

Indeed, color photography had a hard time of it after it was first developed in the mid-19th century, with critics and connoisseurs terming its seductive colors garish as opposed to the supposedly ...

In the foreword to Harry Gruyaert's photography book Edges, sculptor Richard Nonas sums up the work of his good friend. "Harry Gruyaert ignores the grammar of center and edge, finds the blurred ...

For two decades, color photography was my daily language. From pristine fields to the kaleidoscope of kit, crowd, and chaos, professional sports photography demanded vibrancy, clarity and realism.

A centenary exhibition of Saul Leiter’s photos reveals his painterly way with Kodachrome. And a new book suggests that Garry Winogrand worked best in black-and-white. By Arthur Lubow When Saul Leiter ...

The potato is one of the least colorful of the good Lord’s creations. But somehow, two French inventors figured out how the dud spud could help put color in our photographs using a process they called ...

Though somewhat of a complex craft, the art of photographic printing isn’t exactly rocket science—that is, until an artist like Boris Savelev approaches the process, and decides to push it further.

In 1902 two successful French inventors bought a stretch of lakeside real estate in Burlington's South End. Fast forward: A local historian is determined to tell the full story of how the city's ...

Saul Leiter (1923-2013) was an American photographer best known for his pioneering role in the use of color photography. He was born in Pittsburgh, Pennsylvania, to an Orthodox Jewish family. Leiter ...